Wednesday, December 07, 2011
Lantana Strangling Ixora
The Global Organization of People of Indian Origin
(GOPIO) is an influential organisation that helps shape the Indian Government’s
policies on the Indian Diaspora. It has presence all over the world and has a
special significance for the Indian Diaspora, more so in North America.
Its e-newsletter is a much-awaited monthly bulletin
that gives a roundup of activities of the Indian Diaspora across the world; preoccupied
with policy matters, it doesn't usually have any significant mention about culture,
and almost never about poetry.
However, the December e-newsletter that I got
earlier this week surprised me.
It had a whole paragraph on my friend Sasenarine Persaud (Sase).
“Guyanese born PIO Dr. Sasenarine Persaud has
released his most recent collection of poems titled Lantana Strangling Ixora. The poems provide a ready metaphor for
the consciousness of the Americas overcoming that of India in the Americas –
the main streaming and divesting of yoga from its Hindu origins being the most
visible manifestation. This collection ranges widely in its geographical and historical
concerns, from Canada to Guyana to India and places in between, exploring the
contradictions in our lives: familial influences, terrorism, literature,
politics, race, and the power of language and representation.”
I met Sase in the
strangest of circumstances. He was attending the Festival of South Asian
Literature and the Arts (FSALA-11) and I was to pick him up from the airport.
But a misreading of
flight schedules resulted in two participants reaching Toronto almost
simultaneously from different places and at different terminals.
I couldn’t go to
pick him, but met him a day later at the festival and we turned friends
instantly.
Sase has an easy charm
and wears his creativity quite lightly.
His collection of poems
Lantana Strangling Ixora (published by TSAR) was released
during the festival, and he read a few poems from his new collection.
I particularly liked this
one:
Marco Polo at
Rama-Sethu.
Silken
threads known
before
his journey
to
the Emperor’s court
recording
on that passage
Rama’s
bridge across the ocean
from
Tamil Nadu to Lanka
Raghu’s
vanaar army – how inebriated
can
you be if monkeys talk
in
an underwater crocodile wife’s
yearning
for monkey-liver soup
to
cure an ailment: man shooting
too
much breeze with another
must
be curbed – building a stone
causeway
to confront Ravana –
You
do not negotiate with terrorists.
Lantana
Strangling Ixora – the poem that gives the collection
its name has stunning imagery.
Lantana is a South American flower and Ixora is an
Asian flower; Sase is a Guyanese of Indian descent.
Lantana
Strangling Ixora
There
were times in the morning
we
questioned the bloom
of
the previous evening, watering
cana
lilies, clearing the live oak
acorns
from our white wrought-iron bench
How
do ripe plantains smell?
Like
ripe bananas. You could laugh
until
after dinner. I will hold
Radhakrishnan’s
interpretations of the Upanishads
until
you snap on the ceiling fan
And
we swirl on the sheets of a different seeking
scented
like lilacs in a north-of-Toronto park
or
in the Arnold Arboretum. If you conjure
a
dead British poet with the same last name
would
you be wrong? American literature
Or
flowers in a Florida garden
are
all we need to know except
if
“papa” is hunting in the “Green Hills of Africa”
or
Buck is observing Chinese. You drift
off
into a naked sleep where snores sing
And
a mouth that has taught us Kali’s secrets
falls
open to accommodate blocked passages
or
water the definition of a flower cluster
or
the naming of a southern plant: datura
as
prickly as that morning when the alarm
failed
to startle sexed sleep and you are hurried
For
a meeting and we barely have time
to
glance at the golden marigolds—left foot
right
foot brake and accelerate through amber
lights
impatient with ancient drivers gaping
At
dew on the St. Augustine grass and the aroused
ficus
leaves, a replica of Rama’s arrow tips, and
we
barely have time to see lantana strangling ixora
Image: TSAR Books
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