But at every stage, he realizes the futility of physical freedom especially because all of them have been perennially jailed by their memories of guilt.
Monday, March 30, 2015
The Afterlife of Stars - Joseph Kertes
Running through a minefield; seeing
many dead men swaying by the lamppost; dodging bullets hiding inside the
massive bronze boots of Stalin’s statue that had been toppled over; seeing a
man’s head blown off; being privy to a confession of a grandaunt who suffered horrific torture; accidentally discovering the family’s dark secrets; and all the time having to deal with
an over-the-edge older brother, who is obsessed with divinity, human anatomy,
history, and the family’s past.
It’s difficult to forget such experiences especially when young. They remain etched on the mind forever.
Joseph Kertes’ novel The Afterlife of Stars is an amalgam of emotions
and episodes that would generally take a lifetime to accumulate for an average person. However, Robert, the
youngest member of a Jewish Hungarian family that is fleeing Budapest as the
Soviets tanks overrun Hungary, experiences all the horrors of war and
displacement in a matter of a few days, and they are embossed on his mind
forever.
The family that has yet to come to terms with the
horrors of the Holocaust has now decided to leave Europe, and try
their fortunes in the new world – in Canada, but before they start afresh, they
have to come to terms with their past, and with their guilt of betrayal.
That’s not easy, especially for
the young Robert, who knows why his grandaunt’s hands have turned into claws. The young boy, burdened by the enormity of the family's sorrows and secrets, prefers silence, and becomes an observer and a narrator of the family’s
journey to freedom.
But at every stage, he realizes the futility of physical freedom especially because all of them have been perennially jailed by their memories of guilt.
But at every stage, he realizes the futility of physical freedom especially because all of them have been perennially jailed by their memories of guilt.
The Afterlife of Stars is an
ambitious novel. It is told in the voice of a child who is living a life
through hell, who willingly loses himself to the imaginative world of adolescence, who is eager to explore the most bizarre ideas of his brother, who is innocent enough to audaciously face the most
foolhardy risks, and who sombrely touches the hearts of
his elders by his meek acceptance.
I attended a book club meeting (my
first) at the Spadina Museum yesterday organized by Diaspora Dialogues where Joseph
Kertes discussed his novel with Helen Walsh. Not surprisingly, the book is
autobiographical; the author is one of the thousands who fled Hungary in 1956, he was
five-years-old then. Kertes is a natural
raconteur, and narrated gut wrenching stories of the Holocaust. Though the
audience was thin, everyone had read the book, and the conversation was
engaging.
Reading the book, I had assumed
that the family had stopped in Paris before coming to Canada. This is because the
description of Paris, especially the city’s sewers, is an incredibly evocative
part of the novel.
To my surprise, Kertes said that was all fiction.
Labels:
Joseph Kertes,
The Afterlife of Stars
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