For
the last eleven years, I have not missed a single Mawenzi House’s fall launch event. It
used to be held at the Gladstone hotel till a couple of years ago and now, for
the last couple of years at the cozy, comfortable almost homely Centre for
Social Innovation at Bathurst.
For
the last four decades, Mawenzi (earlier known as TSAR) has become the
authentic voice of multicultural Canada, by focusing on providing a platform to
authors from different ethnicities who have made Canada their home.

An
illustrative (not exhaustive) list would include Chelva Kanaganayakam’s
translation of R. Cheran’s Tamil poems You Cannot Turn Away; Kwai-Yun Li’s The
Palm Leaf Fan and Other Stories; Safia Fazlul’s The Harem; Saima Hussain edited
The Muslimah Who Fell on Earth; Dawn Promislow’s Jewels and Other Stories; Ava
Homa’s Echoes from Other Land; Loren Edizel’s Adrift; Sheniz Janmohamed’s Bleeding
Light just to name a handful.
Earlier
this month, at the fall launch, Mawenzi again unveiled some excellent titles. I
was at the launch and based on the readings by authors, I bought Lamees Al
Ethari’s Waiting for the Rains – An Iraqi Memoir and Sohan S. Koonar’s Paper
Lions (fiction).
Here’s
an extract from Al Ethari’s memoir:

Shock and Awe, as George W.
Bush called it, was exactly that. Everything was a target; we saw smoke rising
from different parts of the city, until the smoke was all we could see.
You
may buy the books here: Mawenzi House
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Also, in November, my friend Fraser Sutherland’s collection of poems Bad Habits (Mosaic Press) was launched at the Yorkville Library. Fraser has published nearly 20 books – mostly collections of poems, but also a short story collection and a number of nonfiction titles. He is great editor, who has contributed to turning unreadable and badly structured writing into scintillating and compellingly readable prose or poetry.

Here’s a sample:
“Poetry
can’t defeat ongoing ignorance, repetitive wrong-doing, physical deterioration
nor persona extinction. But to say a few meaningful words about being in the
world in the face of infinity and eternity – well, that’s something.”
“The
idea of poetry-writing as therapy is especially seductive; if you’re writing a
poem and it’s going well, there’s no better feeling in the world.”
“Somehow
a good writer has to work aslant to the existing order. For a writer to be
popular, to win prizes, to be feted by the media – those to me are grounds for
suspicion. If the trappings of public success, however welcome, began to
descend on me, I’d start to suspect myself.”
And
here’s a poem from the collection
You may buy the book here: Mosaic Press
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