My sister Sonal, who has lived in the United States since the late 1980s, sent me Maximum City: Bombay Lost and Found by Suketu Mehta in 2005, probably a year after it was published in the US.
Sunday, November 03, 2019
Suketu Mehta's This is Our Land
My sister Sonal, who has lived in the United States since the late 1980s, sent me Maximum City: Bombay Lost and Found by Suketu Mehta in 2005, probably a year after it was published in the US.
For a person who had lived his entire life in Bombay and had
covered it fairly extensively as a journalist for nearly two decades, the idea
that a New Yorker could have anything new to say about one’s hometown was
entirely preposterous, if not totally insulting.
But Suketu Mehta, even while talking about everything that was
familiar, was saying it differently.
As a journalist one had witnessed and reported the deathly
carnage of the 1992-93 rioting up close, but Mehta brought alive the horror of
the bloodbath with passages such as this:
“What does a man look like when
he’s on fire?” I asked Sunil.
It was December 1996, and I was
sitting in a high-rise apartment in Andheri with a group of men from the Hindu
nationalist Shiv Sena party. They were telling me about the riots of 1992-93,
that followed the destruction of the Babri Masjid in Ayodhya.
The two other Shiv Sena men with
Sunil looked at each other. Either they didn’t trust me yet or they were not
drunk enough on my cognac. “I wasn’t there. The Sena didn’t have anything to do
with the rioting,” one man said.
Sunil would have none of this. He
put down his glass and said, “I’ll tell you. I was there. A man on fire gets
up, falls, runs for his life, falls, gets up, runs.”
He addressed me.
“You would bear to see it.
It is horror. Oil drips from his body, his eyes become huge, huge, the white
shows, white, white, you touch his arm like this” – he flicked his arm – “the
white shows. It shows especially on the nose” – he rubbed his nose with two
fingers as if scrapping off the skin – “oil drips from him, water drips from
him, white, white all over.”
“Those were not days for thought,”
he continued. “We five people burnt one Mussulman. At four a.m. after we heard
of Radhabai Chawl, a mob assembled, the likes of which I have never seen.
Ladies, gents. They picked up any weapon they could. Then we marched to the
Muslim side. We met a pavwallah on the highway, on a bicycle. I knew him; he
used to sell me bread every day.” Sunil held up a piece of bread from the pav
bhaji he was eating. “I set him on fire. We poured petrol on him and set him on
fire. All I thought was, This is a Muslim. He was shaking. He was crying. ‘I
have children, I have children!’ I said, ‘When your Muslims were killing the
Radhabai Chawl people, did you think of your children?’ That day we showed them
what Hindu dharma is.”
Maximum City not only defined Bombay but also went on to become
a genre for writing creatively about complexities that cities – especially cities
in the developing world – evolve and how they transform their inhabitants.
Fifteen years later, Suketu Mehta has published another
path breaking book. This is Our Land – An immigrant’s manifesto’. He has obviously written it in anger,
desperation and frustration at the rapid transformation of the manner in which
immigrants and immigration are being treated globally.
The developed economies have, in unison, decided that they
have had enough of the unwashed masses that obstinately keep on showing up at
their borders, and that these immigrants are really not their problem, and that
they might as well drown in the ocean for all they care. The world has suddenly
become inhospitable for immigrants.
I’m a Canadian citizen, an immigrant in a country that is
unique in its tolerance of immigrants. Fortunately, my experience as an
immigrant has been without the horrors of racism and discrimination.
Let me hasten to clarify that while Canada by and large
accepts the inevitability of immigrants to in its society; it still has not
been able to evolve a mechanism that ensure the economic integration of the
immigrant.
Yes, there is a crazy, right-wing fringe in Canada, too, that
turns abusive and occasionally even violent towards newcomers or people who
look different, but their numbers are few. It wouldn’t be erroneous to claim
that most immigrant in Canada don’t experience the terror and horror their
counterparts feel in some parts of Europe and the United States.
Mehta’s book while authentically portraying the conditions
immigrants face in the developed world, especially in the United States and
western Europe, also analyses the causes of immigration. He says it is the fear
of the immigrant that is more dangerous than the immigrants themselves. He
cautions that if anything perennial economic subjugation (economic colonialism)
and climate change will ensure more immigration than the world is prepared to
accept or even understand.
Mehta was in Toronto on two occasions recently promoting his
book. In September, he participated in the maiden Toronto edition of the Jaipur
Literature Festival and in October he was here to participate in the Toronto
International Festival of Authors.
Meenakshi Alimchandani, litterateur and literary curator, had
organised Mehta’s session at the Toronto International Festival of Literature,
and agreed to my suggestion to interview Mehta after the session.
My friend Gavin Barrett, a poet and founder of the immensely
successful Tartan Turban Secret Reading Series (for which he also unjustifiably
credits me) agreed to my suggestion that we chat with Mehta together, giving
our Bombay connection.
Mehta wanted to have “something Indian” so we went to the Indian
Roti House across the Harbourfront Centre. It turned out to be a rather modest
desi restaurant, that served roti wraps in extra spicy chickpeas gravy.
Gavin and Suketu discovered they had common friends and that
eased the conversation. What follows below are excerpts of an interview that
talked about both Maximum City and This is Our Land. Mehta spoke freely,
frankly and authoritatively.
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